Going from a B-boy to a B-man (Feel free to hate me for saying “B-man,” I’m way ahead of you.)

The following post was taken verbatim from http://www.alphatrionsbase.com/.  It was written by Brent Hopkins (AKA Alphatrion) a veteran bboy and DJ from Atlanta, Ga.

There’s a certain stereotype for the b-boy. He’s between 17 and 30. He doesn’t have a steady job. Rarely has any money. No car. No girlfriend. No real future. We’ve come to accept this as the norm and we even celebrate it. We call it living the b-boy life and pride ourselves more on how many jams we’ve been to or won than how much we have saved up in our bank accounts or how successful we are at our careers. Let me be the first to say fuck that.

I’ve lived the b-boy life. It was called college. I worked a shitty job and stayed there way longer than I should have only because it was easy to take days off to travel for jams and practice. I scraped by paycheck to paycheck. Being broke kept me from being able to take any extra days off to pursue internships that could have led to a real career and it kept me from making any meaningful savings. Long story short, I fucked up.

I have plenty of friends living the “b-boy life” right now. I love pretty much all of them like family but I don’t want them to fall in the same post-college rut I fell into or end up even worse. Don’t take offense to any of this if it applies, I’m trying to help. I despise the stereotype. The one I described above is the stereotype we know. This is the one we’ve applied to ourselves. Imagine what an outsider thinks of a b-boy? For me, this is unacceptable. I’m 100% for the evolution of the dance and the culture but I’m not onboard for doing that at the cost of b-boys being responsible adults.

I’m going to try and give some tips and advice on getting out of that life without actually getting out of it. I promise you it’s entirely possible to have a career, a girlfriend, a car, and enough money that you don’t worry about where your next meal is coming from while still making it to the jams you want to go to and staying at the top of your game.

Get an Education - I don’t necessarily mean college. For most fields, especially anything artistic, it’s overrated. If you don’t want to go the college route, then find internships or a mentor that can help you down your career path. Oh yeah, figure out a career path. Forget that you’re a b-boy for a second and don’t imagine that you’ll be the next Roxrite. Even if you do get to that point, one bad injury and your career is pretty much over. You’ll need a backup plan. Figure out what you would want to do with your life. Try to pick something you’ll enjoy, it’ll make it that much easier to stick to it and b-boying at the same time.

If You Choose College, Use It - If you’re in college, actually take advantage of it. Use the resources to get internships and network as much as you possibly can. Make friends with whoever is going into the field you want to go into. Easiest way to be successful is to attach yourself to successful people. Now’s your chance to meet those people and get in on the ground floor. Besides that, your college probably has an amazing rec center that you’re letting go to waste. You’ve got time between class, go train.

Learn to be Financially Responsible - I could spend hours trying to explain this. Go get this book: Dave Ramsey’s Total Money Makeover (full disclosure, if you click that link and buy it, I get money…Amazon Associates…look it up. Consider that lesson free) It sounds gimmicky but I borrowed it from my sister a few years ago and it actually helped a lot. I’ll give a basic rundown:

  • Keep a budget and stick to it
  • Get an Emergency Fund that is at least $1000
  • Pay Off All Debts
  • Keep putting into the Emergency Fund till it’s 3-6 months of expenses (rent, food, gas, etc)
  • Invest in retirement

Of course the book goes into much greater detail about how to do all that but those are the basics. Some googling should help you figure out most of those steps without buying the book. For a budget, just cut out or cut back on the unnecessary…shoes, clothes, weed, whatever, you can afford to cut back on those, I promise. It won’t kill you. The biggest thing though is the emergency fund. I can’t tell you how much weight is lifted off your shoulders when you know that you have a backup plan. Once you have it DON’T TOUCH IT. Put it in a different bank from the one you regularly use, don’t get a debit card for it…use checks. Make it a massive pain in the ass to get to so you can be sure you only use it for emergencies.

If you really wanna be a great dancer, try dancing because you love it. Not because you need to eat. There’s one step you’re going to have to take before this one though.

Get a Job - Fuck that, get two jobs. If you don’t have an emergency fund or a car, you need the two jobs. You only need $1000 for the Emergency fund and you can get a shitty car for around that too. You don’t need a Maybach, you just need to get from point A to the better jobs that are at point B. If you work two jobs for a month or two and manage your money you should easily be able to get a couple thousand to get those savings and a car. Yeah, you’re probably gonna miss a month or two of jams or extra practices but this is your life. Weigh the pros and cons. Two months isn’t going to kill you. If you had a major injury you’d be taking way more time than that and you could still come back to where you were at before.

Manage Your Time - You need to decide what’s important and divy up your time. Follow J. Cole’s advice;

They say time is money, but really it’s not
If we ever go broke girl, then time is all we got
And you can’t make that back, no, you can’t make that back

You really can’t make time back. If I look back at a lot of the shit I’ve done over the years, there were way too many hours put into video games and sitting in my house doing literally nothing (like literally…sitting in a chair and just staring). I love video games but if you’ve got a ton of hours logged onto any game, you’ve got no real right to complain about a lack of money or time. Any of that time could be spent training, working or doing both and getting paid to dance. If you’re serious about b-boying, then you make time. Every training session doesn’t have to be 4 hours long. If you come to practice with a plan you can get more done in a serious 30 minutes to an hour a day then you could in 3 4-hour sessions where most of the time you’re just dicking around. Keeping that in mind you could work a full-time job or go to school, train, and still have the time (and money) to take a girl out.

If You Want to be a Professional Dancer, Act Like a Professional - If your ultimate goal is to make money as a professional b-boy, you need to understand how hard that is and make sure you’re going the right route. Honestly, winning battles isn’t the right route. It can get you clout in the b-boy community but it will take years (unless you’re a prodigy) to get to the level of a BC One All Star or something like that and you’ll still have to work a day job when you’re home. Unless you’re under the age of 18 at your parent’s house, you probably don’t have the luxury of time to train like they do. Your real option to make money off of dancing is to get to a studio. Forget whatever problems you have with choreo, you’re going to have to learn it. Take Hip-hop classes, Jazz, Tap, whatever you can. Make connections at the studio, get with a talent agency. That’s what it takes to get paying work. If it’s what you want, you’ll have to be serious about it and dedicated. Being a professional dancer is a constant hustle and if you’re not willing to do that, pick a different career.

Own a Suit - This is just something everyone should do. You never know when you’ll need it. Biggest & Baddest isn’t appropriate forevery situation.

Choose Your Battles - I already wrote a whole post about this here but I’ll reiterate. It’s a fallacy that you need to be at every single jam to get your name out there. You don’t, especially in the age of the internet. If you want a name, train harder. Use those weekends when you pass on a jam to get in extra sessions. What good is it being at every single jam if you’re wack at all of them? Remember that Kamel and Megus were legends before they ever left their city and they didn’t even have a Youtube account.

When You Have the Money: Health Insurance - If you don’t have the money, get it. You will get injured at some point. I hate to say it, but I’m just looking at the odds here. I don’t know a single b-boy who hasn’t had at least one injury that didn’t need a doctor’s visit. Whether they went to that doctor is debateable but they definitely should have. If you’re trying to be a professional dancer, think of every injury and sickness as someone taking money out of your pocket. You need to get back in the game as soon as possible or better yet, never get taken out because you had proper preventative care. If you think about $80 a month for health insurance is a lot, look up the cost of anthroscopic knee surgery. Or how about you turn down the next three jobs you’re offered. It’s not looking so bad now is it?

 

If it sounds like I’m being harsh and taking this a bit serious, good. This isn’t a joke. Sure we make it a joke when we’re in each other’s company. We joke about how someone always needs a ride or brag about the job that lets us take weekends off but pay attention to your facebook feed sometime. How often will something come up about a fundraiser jam to help pay a b-boy’s (or DJ’s or Graffiti Artist’s) medical bills or when an OG passes, his funeral bills? That shit isn’t funny. Entire families are affected by that type of thing. For the sake of our community and future, don’t let it happen to you and be responsible. Besides, when you have more money, you can afford better kicks too

A D.C. State of Mind – Mad Sole

A D.C. State of Mind

Corcoran Performance This Saturday, 1pm to 3pm!

The good folks here at OnBeat will have the good fortune of collaborating with the prestigious Corcoran Gallery of Art this weekend. We have been asked to do a bboy/funk style dance performance as part of the ongoing “Chris Martin: Painting Big” exhibit that will be on display at Corcoran until October 23.

What’s the connection, you might ask? Well it turns out that Chris Martin, now a renowned painter that has exhibited all over the world, is a proper D.C. native. In fact, a big influence on his work has been a lot of the funk-based music that he grew up listening to on D.C. radio stations, and he still listens to artists such as James Brown and Aretha Franklin while he does his painting, including some of the pieces that will be on display this weekend. Chris Martin and the people at Corcoran thought it would be neat to have an exhibition with performers dancing to the same type of music that has been a big influence on Chris Martin.

Here’s a link that describes Chris Martin’s exhibition, including some pretty cool time lapse footage of the set-up of the giant 26-foot high paintings that will serve as the backdrop for our performance.

http://www.corcoran.org/now/martin/index.php

While we at OnBeat of course support art in all forms, we have a particular soft spot for funky music, and count several bboys among our membership. So we are delighted to be able to take part in the event at such an accomplished venue. Hope you all can make it!

The event is FREE, this Saturday, July 30 from 1pm to 3pm. We will perform and conduct a basic dance workshop on the art form of bboying/breakdancing.

The Corcoran is located at the corner of 17th and E St NW, right next to the White House.

The Passing of Georgia House Bill 87… OffBeat

This post was inspired by a video shot, edited, and sent to me by OnBeat contributor Edgar Lituma (You will find the link listed at the bottom of this page).  It features aspects of a prostest organized against Georgia’s recently enacted House Bill 87 (HB-87).  HB-87, otherwise known as the Illegal Immigration Reform and Enforcement Act of 2011, was created with the intention of aggressively removing ”illegal aliens” from the state.  This bill, at the time of passing, included provisions that would have allowed law enforcement to stop “suspicious” persons and force them to produce documentation; moreover, those caught helping or showing hospitality to these undocumented and suspicious persons would be subject to punishment themselves.  Does this sound like anything else you’ve read about in the news lately?  Did we learn anything from the failures in Arizona? 

The good news is that we have learned a little and both of these provisions have, since the filming of this protest, been halted by a federal court judge on the basis they were unconstitutional… No shit! The bad and frankly disturbing news is that these provisions were passed by elected officials in the first place.  

Before I go any further, I need to mention the purpose of this post is not to tackle the issue of immigration as a whole nor is it to address other aspects of HB 87.  The many variables in these complicated equations could not be justly addressed by this relatively short post, and I admittedly am not qualified for that job.  My impetus for writing about this issue stems from what I feel is a lazy and bigoted attempt by the Georgia House of Representatives to deal with undocumented residents.

I grew up in Atlanta.  I still consider Georgia home in many regards and take pride in telling people where I am from.  I just can’t swallow the fact that the place in which the civil rights movement was rooted, has a ruling body that was able to look at the travesty in Arizona and say, “Hey, great idea, we should try that in our state”.  The aforementioned provisions are analogous to the ones that made Arizona the veritable pariah of the country.  I just can’t believe a group of well educated individuals who were elected to hold the peoples’ best interests would allow something like this to happen.  The fact that these provisions were halted instills faith in the concept of checks and balances, but the fact that they needed to be halted is overarching.  

The bill, regardless of its current status, has already served to promote racism.  A provision that would encourage law enforcement to interrogate “suspicious persons”… come on; The U.S. is the worlds largest melting pot and home to persons of every race and color on the planet, documented or otherwise.  However, I doubt Georgia’s finest would have been told to go after anyone they suspected of being an undocumented Swede.  And punishment for helping someone with undocumented status!?  Did the House want Georgia’s citizens to show them the contents of their attics? (I had a tough time deciding weather I should reference “The Diary of Anne Frank” or “1984″)

The bottom line is that illegal immigration is a complicated issue that must be addressed in one form or another; addressing it properly will require a complex approach, but this approach should serve the sole purpose of improving the state and must not promote fear and mistrust amongst its residents.  The Georgia House of Representatives, in my opinion, took reckless and miscalculated measures in an attempt to solve the “illegal alien problem” with one fell swoop.  The reality is, these undocumented residents are just that… residents.  Whether you hate it, love it, or are completely indifferent to it, they are a significant and integral part of Georgia.  The use of fear mongering and force to quickly rid the state of their presence is analogous to ripping a support beam from the basement of a building.  Would that cause the building to collapse? Maybe, maybe not.  Do we really want to find out?

Thank you for reading – we welcome your comments. 

Jay

P.S. -

Edgar’s video can be found here:

http://www.youtube.com/watch?v=4UsNsKll2Nw

If you are interested to learn more about HB-87, and want to know who is behind it:

http://www1.legis.ga.gov/legis/2011_12/fulltext/hb87.htm

Information about the 6 arrestees and their cause can be found here (courtesy of Edgar Lituma):

http://www.thedreamiscoming.com

Japan-America Society Festival… In Retrospect

This year’s annual Japan-America society “Summer Beer Garden Party” was a heavily attended and well run success by any measure.  OnBeat’s own Charlie Michael (AKA DJ Mad Sole) volunteered to DJ the event; he spent the afternoon layering track after track of smooth down-tempo Japanese style hip-hop.  Raffles sent guests home with gift certificates and expensive bottles of sake.  The complementary ice cold Kirin lager was instrumental in balancing out the day’s heat, and a spread ranging from sushi to koala cookies topped it all off.  The People were happy and the vibe was great, but several subtly placed collection jars with the ensign of the Red Cross made everyone cognizant of the dark cloud that loomed over the gathering. 

More than three months have passed since the devastating 8.9-magnitude earthquake and subsequent tsunami wreaked havoc in Japan.  Theses events have left many coastal areas in utter ruin, and caused untold damage to the nation’s physical, economic, and emotional well-being.  Similar to many devastating events that present themselves to our attention starved society, news about the ongoing tragedy in Japan has floated face down in the mainstream for some time now (a reference for Outkast fans).  Apparently our news media finds it more pertinent to inform you of penis tweets than nuclear reactor malfunctions, but I digress.  

The point of this post is to discuss the drop that OnBeat is attempting to put into the Japanese relief bucket.  

OnBeat’s purpose and presence at this event was to promote and facilitate the sale of Kaifuku (follow the link for more in-depth information).  This product is the result of a collaborative effort between artist Joelle Nicolette and producer Mad-Sole; Kaifuku translates to ”Recover”. The song and accompanying artwork were sold at 5 dollars a piece to many willing and generous individuals.  All proceeds from these sales were donated directly to the Red Cross Japan Earthquake and Pacific Tsunami Relief Fund.  OnBeat would like to send out a sincere thank you to all those who purchased, promoted, or even inquired about Kaifuku.  We would also like to give special thanks to the Japan-American Society of Washington for providing us with free entrance, vocal promotion, and a booth despite the limited free space. 

Jay

If you are interested in purchasing a copy of Kaifuku, please contact us at info@onbeat.org

Thank you for reading, like us on facebook, follow us on twitter.

JASW Beer Garden

OnBeat will be presenting the Kaifuku album art on 8×8″ cards along with download cards for the song for sale at the Japan-America Society’s Annual Beer Garden tomorrow, on the rooftop of an office building on K St. All proceeds of card sales will be going to the Red Cross. Come out to support the local Japanese non-profit, support Japan earthquake relief, and enjoy the party! Charlie will be spinning, there is a killer view of the city, Japanese snacks, and Kirin – which I prefer to Asahi and Sapporo actually. Little less dry, has more bite. There is a suggested donation of $15, which is going to support the non-profit and gets you beer, food, a view, and good vibes – I think the value is clear.

Thursday June 9th | 5:30-7:30 | 1900 K St NW Rooftop

JASW Beer Garden

Kaifuku

I check with my friends every other day or so on how their situation is over there. I listen to their fears, and try to offer what little help I can. I read the news, and research to understand more about radiation. We decide together that the worst is over and that we shouldn’t worry any more – only to learn about a new situation at one of the reactors. This has been part of my routine since March 12th 2011, when the greatest disaster to strike Japan since the war happened. It’s humbling, frustrating, frightening, and real.

Being in Japan years ago was a huge learning experience. One thing I still think about is, sometimes to understand yourself, you have to look somewhere else. You can learn a lot about what makes you special, by seeing what the rest of the world looks like. Things you thought were given, accepted, universal, are sometimes more unique to you than you realize when your world is all you know. When I was younger, I thought everyone knew about Gogo. I thought everyone knew about Old Bay.

I also thought that, children shouldn’t talk to strangers, because the world is a dangerous place. Except when I got to Japan, I noticed Elementary school children can ride public transportation to school by themselves. I remember it dawning on me – someone needs to take care of this lost child! And I thought to ask her where she was going and where her parents were, before realizing the train was full of other children doing just the same. I also remember a male friend of mine stopping a girl riding by on a scooter in the middle of the night, and hitching a ride with her across town. I once was lost and had a complete stranger approach me and spend 2 hours with me helping me find where I was going, all after the last train had stopped running for the night. All these things happened not in a small town, but in the middle of the metropolis of Tokyo. The world isn’t a dangerous place – some parts are, but Japan is not.

There’s so much I want to say about that place. I could write volumes on end. There’s lots of things we can all do to help them right now, and one thing I wanted to do was create a reminder for us. I want to remind us to keep them in our thoughts, and act on opportunities to help when we can. But I also want to remind them. In the same way that I was able to learn about what makes my home special through their perspective, I want to show them how they are special – and that I have full and utter confidence that their home will be restored to its natural beauty, and that they have all our undying support.

Kaifuku means to restore. I just want to add one more reason to be reminded of that place and the people there. The mixing and mastering was done by Cam One, at Beat.Clause.It Studios. The art was done by Joelle Nicolette. Please enjoy it, think of that place, and act if you can.

OnBeat will be having tables at a couple different events around town, where we will be selling the album art on full color 8×8″ cards for framing, along with download cards for the song. All proceeds will be going to Red Cross. If you haven’t already, please donate a dollar or more to the Red Cross in exchange for downloading the song here.

Please look out for opportunities to come and support, or find others on your own.

- charlie

Kaifuku

DC Parking Tickets…Can we say Offbeat? Thank you.

“I got a letter from the DMV/ the other day….”

 

So if you’ve ever spent a decent amount of time driving a car in DC, you may have had the occasion to locate a parking spot.  And if you park enough in DC, you’re bound to get a parking ticket.  For most people, the inevitable reaction when you spot that noxious little pink and white slip of paper peaking out from under your windshield wiper is either to curse your own stupidity or wish some dire fate on the person who gave it to you (I prefer the latter). But it’s a big city, with a lot of confusing signs (take the contradictory signage pictured in this post, for instance), and sometimes you’re just in a hurry and don’t have time to read every sign on the block.  So it happens.  And since a seemingly innocuous or unclear street parking rule can set you back $25 to $100, DC parking tickets are offbeat.  DC also gets bonus offbeat points for designating every single ticket ever issued as being a proper candidate for towing (honestly, where it says “Towing Required” on the ticket, do they ever enter “No”? It’s always “YES”).

But being the good folks that we are at OnBeat, we’d like to help our loyal readers even the score.  And what a lot of people don’t realize is that parking tickets in DC are actually pretty easy to beat.  It used to be as simple as writing a challenge letter and, where necessary, attaching some evidence with the letter to prove your case.  Now it’s even easier, as DC has set up an online system for challenging parking tickets, which you can find here:

http://dmv.washingtondc.gov/serv/ticket/parking_contesttix.shtm

I lived in the District for almost 4 years, and I probably was able to beat 15 or so tickets through the mail-in method (I haven’t tried the online challenge system yet, but will assume it works).  And even though some of the tickets I got were clearly BS, there were a couple of challenges I sent in that I did not think had a chance of working, yet miraculously I still won.  So you actually don’t even need a good argument to beat a ticket.  Just sending in a challenge gives you a fighting chance at beating it.

Here’s my theory on DC’s dirty little secret: they don’t have the resources to deal with every ticket challenge. Denying a ticket challenge can give you the option of appealing it, which then requires a hearing.  There’s no way DC has the resources to handle people challenging every single ticket.  Another factor of course is that, as most people no doubt suspect, DC tries to use parking tickets to increase the cash flow.  So its meter maid minions are encouraged to write a ticket whenever possible.

Lost your faith in the ability of bureaucracy to give you a win?  Au contraire mon frere.  Recent statistics show that nearly three-fifths of all DC parking challenges are successful.  And even when people lost their initial challenge, 1 out of 3 were able to reverse the tickets on appeal.

Think it’s too much trouble? It’s not. In fact it’s pretty easy. Many challenges just require a common-sense assessment of the violation, which will be indicated in short-hand on your ticket. For instance, I challenged a recent $100 ticket for parking during rush hour.  But the sign was at the other end of the block and was not visible from my parking spot.  I took a picture of the street view in both directions from my car to show that the sign was not readily visible, sent it in with a brief explanation, and several months later, got a letter back saying my ticket challenge had been upheld.  Other common reasons to challenge tickets: conflicting signs, wrong infraction listed, invalid enforcement hours, incorrect license plate number. And you should always provide evidence if possible, preferably with a photo, and also preferably of conditions as they were at the time of the offense.  Luckily, so many cell phones have cameras these days that the photo part is pretty easy.

Too much trouble?  Most tickets are between $25 and $100.  This should take you about 30 minutes to an hour tops to challenge. That’s not a huge amount of trouble to save that money.  And hey, it’s the principle of the thing man.

Another advantage of challenging your ticket is that, even if you lose, it delays when you will have to pay by 3 to 6 months. Just make sure you challenge it within 30 days of your ticket, otherwise the ticket penalty will double.

So the next time some meter maid tries to steal your shine, don’t let it ruin your day. Take the time to challenge the ticket.  There’s a good chance you’ll win.

Gridlock

So traffic sucks? (I get up way too early to notice it SOMETIMES) What do you enjoy doing while sitting there and watching all those cars sitting there with you?

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Cambodia Part 2

As my mom and I were waving “goodbye”, or rather “see you later”, I turned to look at her face. She was happy and sad. She was happy to see her brothers, sisters, cousins, uncles, aunts, and parents after ten years since the last time she had been back; she was sad to depart once again. This trip was the greatest vacation I’ve ever had by far. And I’m glad to have had the opportunity to share it with my mom.

We landed at Phnom Penh International Airport around 1030pm on March 3rd. The total flight time getting to Cambodia was about twenty hours and the time difference from Washington D.C. was exactly twelve hours (layover in Seoul, Korea). As I greeted aunts and uncles for the first time ever, they couldn’t help, but tease me that I could barely speak Cambodian. They slowly found out I was a pretty good listener though.

The food was excellent, perfect to the tongue, and cheap! I think I ate about 100lbs of mangoes during my entire trip. Angkor Wat was beautiful, architectually amazing, and mysterious. The streets were filled with traffic flowing every direction; some ways you could imagine and others you wouldn’t think were possible.  My cousin’s wedding, which I was tricked into participating in for the second part of the ceremony, was perfect. Went to refreshing and clean beach that got me sun burned so badly I couldn’t sleep for 3 nights (which caused me to shed for about two weeks).

 

After being jet lagged for five days, I finally found time to practice by myself on the top floor balcony of my Aunt’s house. However, I had to get up at 7am to practice because it was too hot and humid during the day to even want to set foot outside.

Now that we are on topic with hiphop and breakdancing….

Before I got to Cambodia, Ryan, a volunteer from Tiny Toones emailed me about an album release event at Meta House (a German Cambodian Cultural Center). I got there late, but just in time for their last performance and enjoyable music with kids dancing in a small cypher.

 

Two weeks later, after all the travelling within Cambodia with family started settling down, I went to Tiny Toones to meet with Romi the General Manager. The center for Tiny Toones is a house turned into a school full of kids and mentors. The vibe was all positivity, the operation Tiny Toones had going on there was nothing I’ve ever seen or experienced. Every day twice a day (Mon-Fri/morning and afternoon), Tiny Toones picks up kids who are less fortunate from different parts of Phnom Penh to bring them to their center. Throughout their time there, the kids are taught English, music production, drug/HIV awareness, and breakdancing.

 

Before I left for Cambodia, I got in contact with Izze the owner of Wild Style Technicians (learn more about them at http://www.wildstyletechnicians.com/about.htm). I’ve been an avid supporter of Wild Style Technicians for several years now.  When I contacted Izze, I told him my intentions of donating shirts to the staff at Tiny Toones and he was more than happy to lend a hand. A week later I had a total of 33 shirts and 5 hats to bring with me to Cambodia for the folks over at Tiny Toones.


It was funny trying to explain to my mom and relatives why I brought so many t-shirts over. Eventually they understood what I was trying to explain to them as what Tiny Toones is. In fact, they were so interested that they wanted to help themselves. Whether it would be financially or any other way, my family there appreciates and supports organizations such as Tiny Toones.

I had another chance to visit them and practice a little. Though I was sun burnt and hurting, I attempted to practice despite my skin peeling off of me. These kids practice hard, I’ve never seen so much devotion to dance. I’m glad that they have the support that they receive to become what they have. Tiny Toones, has OnBeat’s support and we are looking forward to collaborating in the near future on projects.

The experience I’ve gained from this trip to Cambodia will live with me for the rest of my life. It’s a great country filled with hard working people. I highly recommend that you go and enjoy the view yourself.